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Reposts...

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By request, the Caribbean awesomess of Raw Spouge.

The New Wave Covers For Oldies Lovers collections are back up now too, thanks to a wonderful maniac.

"Lullabies From Outer​-​Space": The Casiotone Orchestra of Carton Sonore

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An entire 20-track album performed on nothing but the much-maligned keyboards made by Casio (a company that previously had been more famous for manufacturing things like watches) might not sound too promising, but in the hands of France's master of toy- and naive-pop, Carton Sonore, the Casio is not used as a joke, or for '80s nostalgia, but is overdubbed into an orchestra of widely varying moods and textures. The Casio, of course, has a "little" sound, so Carton Sonore wisely works within its parameters to create lovely instrumental miniatures that do indeed suggest the album's name. Listen/purchase:

Carton Sonore: "Lullabies From Outer​-​Space"

This gorgeous tune, filled with all kinds of Space-Age magic, is a free download:

Carton Sonore: "Berceuse 07"

The beautiful "Berceuse 13" is another fave, as is the round-like "Berceuse 6." None of which are funny or gimmicky (not that there's anything wrong with that!) See, Cage was right - anything can be music. Nighty-night...

I'm Pretty Sure This Blog Posts More Zither Music Than Most...

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Gene M., one of our super-swell readers who contributed the lost files of Ruth Welcome's "Zither Magic" album recently, has gifted us with another album called "Zither Magic" that couldn't be more different. In contrast to Welcome's minimal one-(wo)man-band arrangements, old-world folkiness and classy '50s cocktail lounge feel, Karl Swoboda's "Zither Magic" is a big, brassy, fully orchestrated, swingin' Sixties album that reduces the role of the zither to a kind of almost surf-y lead guitar over twist/swim/frug-able versions of hit pop songs.


Don't dread yet another version of "Yesterday" - this one swings like a rusty gate, dad, played at a breakneck tempo that Mr. McCartney probably never envisioned. "Theme From A Summer Place" could be a Dean Martin backing track. A beautifully dreamy "Ebb Tide" takes a break from the craziness to take us on a stroll down a lonely beach. "The In-Crowd" is wild enough to get Twiggy workin' that mini-skirt. Outta sight!

Karl Swoboda - "Zither Magic"

Thanks Gene!

PLEASE ACCEPT THIS FREE GIFT

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Aren't ALL gifts 'free'? Isn't that what makes it a gift? Hey, if the advertisers and marketers of the world say it, then it must be true. So here's a goodie-bag of free inter-webular downloads that have grabbed my ears lately:

- A C Slate no r makes interesting sound collages by looping instrumental tracks as beds for spoken-word samples that are strung together in ways to suggest a kind of narrative.  My faves are the apocalyptic "Angels Watching Over Me," and "$ money piano $," an examination of materialism. Check the tracks called 'tape stories.' Negativland fans will want to peep this.
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- Buttress K. O'Kneel has a new release that layers multiple versions of that most ultimate of classical music cliches, Vivaldi's "The Four Seasons." Any new music from this Australian outlaw is worth a notice, but this one represents a completely new direction, forgoing the usual breakcore mashup madness for a dizzying mix of wedding music, Steve Reich-like phase-shifting, and mind-fucking psychedelia:

B'O'K  "The Four Four Seasons"

Which reminds me of this similar mix:

Beethoven Dada - unfortunately only a minute-long clip.  We want the whole thing!

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- mw ensemble, a New York-based avant-classical crew, have a 40-second track for piano and vacuum cleaner that is, in fact, called "I, for piano and vacuum cleaner ~A." It is really quite cool.  Available on this collection:

mw ensemble "6 Green Songs"
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- Music For The Muted is a German ambient/noise/drone combo with a new EP whose tracks all have numbers for names.  I particularly like "7," seven minutes of slowly-growing dark clouds of electronic sound dramatically rolling across the sky; somewhat reminiscent of the "Forbidden Planet" soundtrack.

Soundcloud
Mediafire
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OH/EX/OH are seriously bringing the ambient/noise/drone thang. Str8 outta Manchester, this prolific artist traffics in some pretty dark 'n' spooky stuff at times. This name-your-price EP is suitably atmospheric: 

OH/EX/OH "Entropic"

Some really nice stuff - I love the slowly-shifting chords of "The Holy Fallout." But this collection of audio vérité, however, isn't that scary at all:

OH/EX/OH "Tokyo Field Recordings"

I was alerted to this artist when they sent me an actual postcard in the mail.  Which I promptly lost for a few months. Glad I found it again.






Reup: The Devil's Music

WHY YOU SHOULD CARE ABOUT ANNETTE FUNICELLO

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You may have heard that The Queen of the Beach, Annette Funicello, recently died at age 70. And, yes, she was a Mouseketeer on "the Mickey Mouse Club" tv series, and starred in the 'beach party' films of the Sixties. But what you gremmies and hodads must dig is that she ticks off a lot of boxes of things that fans of strange music like: exotica; Space Age; novelty music; funny/dumb/clever lyrics; bizarre musical hybrids (e.g.the Cuban/Hawaiian "Surfers' Luau," "Rock-a-Polka,") wild, highly energetic surf/early rock; lounge cheese; explorations of sleazy/kitschy Americana; collaborations with hipster faves like Dick Dale, Fishbone, and the Beach Boys; and songs about circus freaks and mad scientists. And, tho she was most certainly a Big Show-Biz insider, she did everything with the guileless innocence of an outsider - since Annette never intended to be a singer (Walt Disney just pushed her in that direction) she had no agenda, no aspirations, no bitterness about the roles she was offered, and so sang everything with an equal amount of sincerity, whether it was a forlorn love song, or a ridiculous tale about a freak named Jo-Jo The Dog-Faced Boy.

Why haven't punk bands been covering these songs?! She seems to have been overlooked among Crampsian devotees of early mondo-rock collections like "Las Vegas Grind" and  "Wavy Gravy." Maybe because the rap on Annette was that she was another not-too-talented 'teen idol' making bland commercial pap, like Connie Francis, Fabian, and her co-star Frankie Avalon. But even a cursory listen to these songs shoots down that characterization. The berserk energy level and general weirdness of these songs clearly distinguishes her from the likes of, say, Shelly Fabares.

All these songs are from her late '50s-to-mid '60s heyday, except for the last two tracks: her 1985 appearance with Fishbone from the film "Back To The Beach" (I saw it when it came out!) and an early '80s tribute to Annette from LA pop-punk stalwarts Redd Kross. And it was indeed my LA punk youth that first got me into Annette, where she was a kind of den mother figure - never a part of, but beloved by the local surf punks. I still listen to these crazily entertaining songs after all these decades, and I certainly can't say that about everything from my youth. 

A Net Full Of Jello [Thanks to an old Mad Magazine bit for the title]

01 swingin' and surfin'
02 surfin' luau
03 the maid and the martian
04 secret surfin' spot
05 Jo-Jo the Dog-Faced Boy
06 monkey's uncle (with The Beach Boys)
07 California sun
08 draggin' u.s.a.
09 beach party
10 That Crazy Place In Outer Space
11 Merlin Jones
12 Don't Stop Now
13 Rock-a-Polka
14 The Rock-a-Cha
15 Lonely Guitar
16 Tall Paul
17 Pineapple Princess
18 Jamaica Ska (with Fishbone)
BONUS:
Redd Kross - Annette's Got The Hits






APRIL IS BAD MUSIC MONTH

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Back in the Jurassic era of the internet, the year 2000, L.A. radio personality April Winchell started putting up mp3s of bad/strange/funny music and audio - an early music-blog, if you will. Readers and listeners started sending in more and more tracks, resulting in a remarkably large library of unprecedented awesomeness.  Easy to take for granted now, but at the time, it was a truly mind-boggling resource for us weird-music freaks. It's been a few years, but it's all back up now:

http://www.aprilwinchell.com/audio/

Don't think she's added much since, but if you weren't there back in the day, you've got a lot of catching up to do. Much thanks to Ms. Winchell for re-opening the archives. And if any of you-all have a diaper/baby fetish, and would like a hypnosis tape to help you wet your bed, you now know where to go.

(Speaking of re-ups, RIAA's "Risque, Illicit, and Adult" album is now back up, by request.)

The OTHER Singing Ricin Terrorist

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The recent news about the wack-job Elvis (and others) impersonator sending politicians envelopes laced with deadly ricin reminded me of the pioneer of this genre, Robert Alberg.  When we wrote about him some years ago, he was being sentenced to five years' probation, mental-health treatment and placement in a group home, and his album was no longer available, so I posted it.  Incredibly, he's back, selling both his original collection, and a new one.  And he sounds even worse than he did on his miserable first album (as you can see, he isn't looking too hot either). Still, let's hope he sticks to singing/song-writing, and doesn't go back to ricin-cooking.

"Purple Amethyst," available thru Amazon and iTunes, is ten "songs" of lethargic, monotone vocals; obsessive/compulsive lyrics (about sand, beaches, rocks); and atonal guitar "playing" that makes Jandek's sound like Eric Clapton.  Need I tell you that this is outsider-music gold?

Robert Alberg: "Quartz Creek"

As he is back to selling copies of his first album, I'll just post of couple of tracks from it:

Robert Alberg: "I Want To Fly"
Robert Alberg: "Walking Alone On The Sand"

The videos of Alberg's young protege, Kevin Curtis, are striking in their banality - he's just some guy singing over karaoke tapes, occasionally adopting ludicrous fake mustaches. He gets paid to do this stuff?  Jeez, I could do that. Curtis needs to get together with Alberg, so he can learn a thing or two about originality.  They could cover "House of the Ricin Sun."  Or Johnny Cash's "Five Feet High and Ricin." I got a million of 'em , folks!





More From The Boston Typewriter Orchestra

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We've written about The Boston Typewriter Orchestra a couple of times before, but it's been a few years since we last checked in with them, and, as there is some crazy shit going down in Boss-Town right now, it seemed like a good time to think good things about that city and dig the BTO's latest free download single...which is already two years old (sorry, I'm not always right on the beam.) Again, this quartet amazes me with their propulsive percussion performed entirely on obsolete office equipment. Get it here:

The Boston Typewriter Orchestra: "Entropy Begins At The Office"

SUPERSHRINK!

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Alen Robin, a comic with a droll, very nasal voice, took the Buchanan & Goodman "Flying Saucer" concept - intercutting found recordings with original comedy - and applied it to political speeches. His "Welcome To The LBJ Ranch" hit the top of the pops in the mid '60s, and can be found in approximately 84% of American thrift-stores.

This album continues the concept, with American politicos Humphrey, Thurmond, Rockefeller, Lindsay, Nixon, LBJ, Agnew, Buckley, Reagan, and Daley finding their voices ripped out of their original context, now making various bizarre and neurotic statements to Robin, playing their psychiatrist. It's still quite funny and clever, even if you don't know much about the speakers. Even more impressive: it's recorded live. Not sure how he did it in the days before laptop samplers. Maybe he had all the voices, and pauses allowing for him to speak, pre-recorded on a long tape. If so, his timing's amazing.

The above review was taken from my review of another (now off-line) Alen Robin album I posted few years back, with the names of of the sampled parties changed.  There is one difference with this album, tho - the groovy psych rock of Billy Mure that abruptly cuts in and out of the funny faux-interviews.

Both sides of this album are pretty short (side two's only ten minutes long) so you just get two tracks here, one for each side:


 Alen Robin: "SUPERSHRINK!"

Sisqo's "Thong Song" for Music Box And Theremin

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I'm sure we all have our own favorites, but my pick for best cover of Sisqo's ubiquitous 1999 hip-hop hit "The Thong Song" for antique-sounding music box and theremin would have to be the one by British duo Eccentronic. It's short, maybe too short (not to be confused with the rapper Too Short, har har), funny, and really quite nice. One of those audio anomalies that shouldn't exist in our universe, much less work as well as it does. It's a free download:

Eccentronic  "Thong Song"

Speaking of audio anomalies, can someone explain why I was driving down the freeway yesterday evening listening to the radio when a robo-voice came thru my speakers telling me that the Vermont off-ramp was in two miles...and I don't have GPS?!

Never heard from the phantom voice again. Freaky.

Taking Your Re-Post Requests on the Request Line...

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UPDATE: the Russian Horny Choir is back. Much thanks and praise to hybridelephant for sending it our way! Which reminds me: he sent me a link to his own band And More, I was listenin' and diggin' it...and never got around to writing about.  So everyone should go check 'em out.

Esso Trinidad Steelband: "Calypso Christmas"
"Flowmotion"

I can't repost the Filipino Village People album as it is now available on Amazon and iTunes. But I was able to re-up:

Alen Robin "Naked, Really Naked"
RIAA "Wonderful World Of Sound"
RIAA "Risque, Illicit And Adult"

SIX ACCORDIONISTS GO RIDING ON A CAROUSEL...

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...No, that's not a joke set-up. It really happened on the Santa Monica Pier in 2010. Daniel Corral and his group the Free Reed Conspiracy actually sat on carousel horses that went up 'n' down, up 'n' down, playing a near-30 minute powerful drone piece - like Glenn Branca for squeezeboxes. "...the audience listened as the music spun past them."Watch it here (can't see the musicians much, unfortunately):

NEOTROPE

or download the mp3 from Corral's website if you scroll down a bit

HERE

tho it's not as densely loud. The acoustics of the 80-year-old carousel building no doubt caused much reverberation, which I prefer to the pristine studio version.

There was apparently an entire evening of music and performance on the carousel and, as I live in Los Angeles, am bummed that I wasn't there. Encore, encore!


Two More Requests Now Up

L. RON HUBBARD SPLURGES ALL OVER YOU

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"Force yourself to smile and you’ll soon stop frowning.
Force yourself to laugh and you’ll soon find something to laugh about. Wax enthusiastic and you’ll very soon feel so. A being causes his own feelings. The greatest joy there is in life is creating. Splurge on it!"

If you don't have those words memorized, you will, after hearing them repeated over and over on this ghastly 2001 album released by the Church of Scientology, voiced by a semi-all-star team of singers. It sets the poems of the cult's late founder L. Ron Hubbard over crappy music that sounds way too dated to have been recorded only 12 years ago.  I genuinely figured this was from the mid-'90s at the latest. So what's it's all about, Alfie?

- We kick things off with an intro from soul legend Isaac Hayes, who unfortunately only has a couple of quick cameos on this album. Hearing Hayes' trademark baritone speaking voice trying to give this drivel a bit of gravitas is pretty great - as funny as his "South Park" work.
- Anyone who thinks joining Scientology will give your showbiz career a boost should ask "fresh new singer" Shannon Star Roberts, or L.J. Jackson - this album is their sole Discogs credit. One of Roberts' boring songs references Scientology mythology: "Theta, Theta, See You Later." Catchy, eh?

- Carl Anderson apparently was one of the original stars of "Jesus Christ Superstar" and had some pop hit in the '80s "that endeared him to soap-opera fans" (gee, wonder why I never heard of him?); one of his two songs here is a mindbogglingly awful 16-minutes long. Two minutes would be bad enough, but, holy hell, sixteen interminable minutes? He should be shot! Oh wait, he died of an illness a few years after this album. Never mind.
- I always respected Doug E. Fresh as a hip-hop pioneer who recorded the classic single "The Show"/"La Di Da Di." But one of the low-lights of this album is the appalling apocalypse fantasy "We're Going Up While The World Goes Down," which Fresh futilely tries to pump up into a wave-your-hands jam despite lyrics like:

"I was in a Safeway row
of housewives and no chow
Who said they'd been forsaken
by even moldy bacon
The manager's cruel cry
Was the actual why
They'd ate up all the animals
And now must turn to cannibals"
Apart from retarded grammar ("The manager's cruel cry Was the actual why"?!?) Hubbard's attitude of: you're-all-gonna-suffer-and-die-but-we-won't-ha-ha! is hideously immoral for someone claiming to be a spiritual leader. It reminds me of the Xian fundies' 'rapture' fetish. Needless to say, the generic music has gone thru the Scientology washing-machine, bleaching out any chance of black funkiness.
- Someone named Pamela Falcon has the thankless task of translating one of Hubbard's free-verse poems into music, to whit: "CUPIDITY/Cunning mind/Which unnerves the eye/Unclean lancet." Come on everybody, sing along!
- Another low-light: albino blues-rocker Edgar Winter is one of those well-known figures I'd never really had an opinion on one way or another. Well, I have one now: I fuckin' hate him! His "The Joy of Creating" begins with him saying "Y'all know about the joy of creation? Well, this is how we do it down in Texas." He then proceeds to insult the entire Lone Star State with hysterical gurglings that pass for singing over pseudo-enthusiastic music that has all the soul of John Tesh. I have a hard time having much respect for someone  who would allow this abortion to be released under his name, with his consent, while calling himself an artist.
- Chick Corea, the guy who contributes the only boring parts to otherwise-classic Miles Davis albums, drops by with under two minutes of pointless piano noodling and recitation.

A former Scientologist known on-line as Tiger Lily wrote on an ex-Scientologist message board: "At the time I was in, those albums were touted as being so theta-infused that just listening to them was supposed to key you out. They had the songs on their phone system "hold", and played them in the lobby over and over (how the staff stood that I'll never know).

I took that to heart and listened whenever I could. I lived 2 hours from the Org so I would listen to those *&^%$%# things for 4 hours on course days trying to internalize them. I memorized all the words. I sang along.

I remember thinking it was pretty cheesy , but they told us that Ron's music was way ahead of it's time, so I just decided I must be stuck in the 70's or something and made myself like it."


Listen to the "way ahead of it's time" music here:

The Golden Era Musicians and Friends "The Joy of Creating"



1Isaac HayesThe Joy Of Creating Prelude 0:48
2Shannon Star RobertsTheta, Theta, See You Later 3:22
3Shannon Star RobertsFrom Sea Of Dreams 2:46
4Carl Anderson and Brenda Eager *The Love Of A Man 3:58
5Doug E. FreshThe Joy Of Creating 2:39
6Doug E. FreshWe're Going Up While The World Goes Down 5:55
7Howard McCrary and L.J. JacksonThe Joy Of Creating 1:12
8Pamela FalconThe Sum Of Man 5:40
9Edgar WinterThe Joy Of Creating 2:32
10Edgar WinterBlue Endless Sea 3:55
11Elena RoggeroThe Joy Of Creating 1:41
12Elena RoggeroStamboul 3:38
13Chick CoreaThe Joy Of Creating 1:46
14Carl Anderson and Elena RoggeroSong Of The Bard 16:58
15Isaac HayesEnvoi                                                           00:32

Re-Up Request

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http://musicformaniacs.blogspot.com/2012/11/the-first-man-on-moog.html

UPDATE 5/4/13: Now up by request are RMI Harmonic Synthesizer album, and four from Zoogz Rift: Ipecac, War Zone, and Water II, and Torment.

JUNK ORCHESTRAS Pt 1: The Gas Tank Orchestra

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I haven't been posting anything new lately, cuz I've been trying to re-up albums that were victims of the Great Mediafire/Rapidshare Takedown of 2013 by request. Which I'm happy to do, but I wasn't able to find: The Full Life All-Stars, The Lavender Jungle, "Ya No Hay Beatles," The Musical Betts, March Fourth 2012. 'Til then, dig these crazy sounds made not by guitars, not by keyboards, not by trap-drum kits - man, that old-fashioned stuff is for squares - but by stuff. Junk. 'Found objects,' and what-have-you.

The Gas Tank Orchestra does what it says on the tin, making their instruments out of discarded auto parts. The now-defunt New Orleans combo has an excellent posthumous free download album now available that does wander around somewhat aimlessly at times, as improv groups are wont to do, but really hits the gas (sorry) on nifty toe-tappers like "Making Way," "Bunnys Bolero" and "Desire Project." The GTO don't make the kind of racket that groups like Einstürzende Neubauten used to make - their sound is subtle, atmospheric even, with a keener sense of rhythm. They are from one of the world's funkiest cities, after all.

The Gas Tank Orchestra - "Homeshed"

Another album of theirs is available for streaming/purchase that features a more sampled/cut-n-paste production at times. Pick to Click: "Oilspeak."

The Gas Tank Orchestra - soundclick album

More junk orchestras to come in future posts.

JUNK ORCHESTRAS Pt 2: A Child's Garden Of Junk

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(Now back up: Capt. Beefheart "Clear Spot" instrumental tracks, and the Caribbeana Esoterica of Elmore Stout, and The Lashing Dogs.)


"The flipflopaphon – the tromballoony – the springy tuby thingy – the gardenhoseatoot": such are the tools of Saul Eisenberg aka Mr. Junk Man, who not only travels around his native England performing on his home-made junk instruments, but also works with kids to help them build and perform on (and dance with) their own recycled sounds. He seems to be the kind of "cool teacher" that I wish I had when I was a wee lad. 

He has a resource page for other teachers that features and instrument-building demo video. Teachers, heck, I want to make these!  And he will build for your park/recreation area a "soundgarden," which has nothing to do with any old Seattle grunge bands, but are rather children's play areas with instruments built into them. Just fantastic.

There are free streaming/download songs on his site:

http://www.thejunkorchestra.co.uk/

Wonderful stuff, but I have one complaint - some of the tracks are too short, some lasting barely a minute. C'mon, Mr. Junk Man, why so chintzy? We want a proper album!

JUNK ORCHESTRAS Pt 3

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I'll be guest dj-ing once again this Sunday, 8pm PST on Spacebrother Greg's "Radio Misterioso," bringing up another batch of wild sounds that have mostly not been featured here. Listen live at http://killradio.org/ so you can call in and/or go on Greg's facebook page and leave comments 'n' stuff.

And now...on with the show:


My recent posts about musicians who build their instruments out of junk reminded me of similiar artists I'd written about, whose songs posted ages had long since gone off-line.  I was also reminded of a recent single re-release, and miscellaneous records I'd had for years.

Junkyard Bands

The Junkman - 'Beat The Can' [both from his album 'The Junkman 2," available from his site - the liner notes break down exactly what objects are used for each song]
The Junkman - 'Drug Puppet' [bit of a Residents kinda thing going on here]
Electric Junkyard Gamelan - 'Bigbarp' [pictured above]
Car Music Project - 'Noodles'
Gamelan Son of Lion - 'Bang on a Tin Can'
Electric Junkyard Gamelan - 'Nutbutter Challenge'
The LA Drivers Union Por Por Group - 'Por Por Horn-To-Horn Fireworks'
Electric Junkyard Gamelan - 'Space Kitty' (excerpt)
Staff Benda Bilili - 'Sala Mosala'
Wendy Chambers - 'Star Spangled Banner' [on the legendary car-horn organ, pictured right]
Wendy Chambers - 'The Kitchen' [not only are kitchen implements used as instruments, but an actual meal is supposed to be prepared during the performance of this piece!]
The Junk Yard Band - 'The Word' [killer Def Jam single from the '80s - a group of children playing gogo funk from DC; that lead singer rivals the young Michael Jackson]
The Watts Little Angel Band - 'Nik Nak Paddy Wack' [same concept as The Junkyard Band, but from a decade prior; this must-have single, whose b-side is an oldies medley 'New Orleans/Land Of A 1000 Dances,' has recently been re-issued]

All of this had me thinking about Test Dept (none of whose music I can recall off the top of my head) and Einstürzende Neubauten (think I did like some of their stuff), two '80s bands whose use of found percussion was popular with the industrial crowd, as it was seen not only as a way to be real noisy, but to seem shocking and rebellious and what-not.  

Also from the '80s: the L.A. band Savage Republic used things like an oil drum and a railroad tie - anyone else use junk percussion mixed with conventional instruments, in the service of actual songs? Think I read David Byrne saying that he and Eno played junk on "My Life In The Bush Of Ghosts."

And did the Bang On A Can group ever actually bang on cans?

I Will NOT Be Appearing On Radio Mistierioso...

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...this Sunday nite. Two hours of radio hijinks will be postponed to a later date. But the good news is, thanks to super-swell maniac Phil C., "The Lavender Jungle" comp is back up. 

And there's some great stuff up on the youtubes. Another valued tipster, Niels, hepped me to this clip of "Flying robot quadrotors perform the James Bond Theme by playing various instruments including the keyboard, drums and maracas," a spectacular example of the ever-evolving genre of mechanical music.

HERE is a 16-minute explanation for you techies.

And I didn't have a March Fourth post this past March 4th re: alternative marching bands, because I didn't have any material.  Well, I got one now: this swell vid about a band I wrote about HERE, a 5 minute documentary on the mysterious, highly experimental Itchy-O Marching Band, revealing their home/custom-made instruments. March on over

HERE
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